which messes up timing, and devours resources.Start putting the pro audio pizzazz back into your Inbox with our monthly e-mail newsletter! Every issue is FREE, fun, and definitely informative.Įach monthly issue provides free music technology news, reviews, tips and techniques. It is a lot of work, but so far it works out pretty well! Although looking at all those remaining mouth clicks is a bit discouraging :( hahahaīesides getting a talent that is less noisy, i really tried a lot of things, but the actor just kept clicking away.īTW: I've also tested the realtime version of Declicker on the dialogue track, but the 'Delay Compensation Engine' cannot compensate the plug in. Afterwards I do another pass (with headphones on) to get the softest ticks out.I then scrub+pencil through everything in a rough first pass (deciding what needs to be kept in).Now select 'Tab to transients' and use tab to navigate to all 'clicks' (optionally I use 'strip silence' on long regions).This creates a sort of 'visual guide' to noises. Select 'Output clicks only' and process 'create individual files'.Load Audiosuite version of Declicker with standard preset.Insert Hipass filter on track (although tiresome, it helps find noises).So, I made up and tried the following routine (in PT9 with cptk): And I could switch between processed and unprocessed via duplicate tracks, but still that doesn't feel very flexible or in control. Now I could just process every region with 1 preset or do a two-pass. So I also leave clicks in the recordings as well (near the end at least) a the sighing etc. This slowly evolves into a more 'human' voice, performance wise. It works very well, but sometimes a bit too well.įor example: in the current project the voice over starts very as 'general' and clean sounding guide, without any real character. This has tought me a lot about recording and the human voice with all it's strange mechanics.īut after recently purchasing Izotope 3 Advanced (love it!) I tried using the Declicker module in PT. Now the point is that I've always been doing it by hand (scrub+pencil in PT9). It keeps the listener focussed and helps steering their view. I've always been very keen on recording these voices very close mic, because of the intimacy that it brings to the soundtrack. I've recorded about 15 minutes of voice over audio for a theatrical soundwalk. Anything from clicks, incontinuities mid word, saliva etc.
I know, it's a regularly discussed topic: removing mouth noises.
0 kommentar(er)
